"Glickman" Premieres on HBO  Monday August 26th, 2013


The HBO documentary on Marty Glickman, shown broadcasting a baseball game, captures much of the dynamic history of post-World War II America. (HBO)

The HBO documentary on Marty Glickman, shown broadcasting a baseball game, captures much of the dynamic history of post-World War II America. (HBO)



Before Marv Albert and Bob Costas, there was Marty Glickman. A gifted Jewish-American athlete who was denied the chance to represent the U.S. at the 1936 Berlin Olympics, he went on to become one of the most revered and influential sportscasters in history, pioneering many of the techniques, phrases and programming innovations that are commonplace in sports reporting today. 

"GLICKMAN" is the first documentary from writer, producer and director James L. Freedman, who produced Glickman’s late-night sports program on New York radio as a high-school senior. Featuring archival footage and interviews with such notables as Marv Albert, Bob Costas, Bill Bradley, Jim Brown, Frank Gifford, Larry King, Jerry Stiller, New York Giants co-owner John Mara and others, the film tells the story of a man who overcame prejudice to forge a remarkable career, setting the gold standard for sports broadcasters past, present and future. Music by David Carbonara.

-HBO Films : Glickman



Old Flames Before New Life

‘Some Girl(s)’ Is Based on Neil LaBute’s Play

Adam Brody and Kristen Bell in a scene from “Some Girl(s).”


Published: June 27, 2013

“Some Girl(s),” the pungent, queasy-making screen adaptation of Neil LaBute’s play about a smug, opportunistic cad, delivers the same message as Cole Porter’s jaunty show tune “Most Gentlemen Don’t Like Love.” What they do like, Porter joked, is “to kick it around.” But in addressing male callousness, the movie’s attitude isn’t so lightheartedly blasé.

Official Website

Its unnamed protagonist, played by Adam Brody, is a handsome and polished New York-based fiction writer in his early 30s who is about to marry. The story tracks him as he embarks on a national farewell tour during which he reunites with old girlfriends, hoping to make amends for past bad behavior. At each stop — Seattle, Chicago, Boston and Los Angeles — he encounters varying degrees of rage and resentment from women he had abruptly walked out on and not contacted again.

The movie, directed by Daisy von Scherler Mayer (“Party Girl”), is set almost entirely in hotel rooms, where these attempts at friendly closure are conducted like interviews. He naïvely assumes that exoneration can be achieved simply by saying “I’m sorry” with a modicum of sincerity. Although the still-wounded exes let him have it, only one, a woman who was under age when he toyed with her, truly rattles him.

In Seattle he summons his high school sweetheart, Sam (Jennifer Morrison), whom he didn’t take to the prom. In Chicago he meets Tyler (Mía Maestro), a siren who puts the moves on him by seductively blowing cigarette smoke into his mouth. He barely resists her wiles.

At this point, you may still be willing to withhold judgment. But his encounter in Boston with Lindsay (Emily Watson), an older, married college professor with whom he had an affair, is another matter. The man he cuckolded and who caught them in bed was his academic mentor. Rather than face the consequences, he fled, leaving Lindsay, to whom he had made lofty promises, to deal with the consequences.

Although Ms. Watson gives a blazing performance, her character tries to exact a revenge that is so preposterous that it throws a monkey wrench into a movie that never fully regains its balance. It recovers some stability when our antihero, back in Seattle, summons Reggie (Zoe Kazan), the younger sister of his high school best friend. Reggie’s character is not in the original play. On the eve of her 12th birthday, she recalls, he kissed her, touched her inappropriately and whispered that he would marry her someday. He was 16. Ms. Kazan gives a compelling portrait of a woman still wrestling with the theft of her innocence; her face registers the conflicting emotions of the still-confused girl inside her wounded grown-up self.

Los Angeles, the tour’s final stop, is where he meets Bobbi (Kristen Bell), the closest any woman has come to being his true love. During this meeting, in which she labels him an “emotional terrorist,” the screenplay throws in a zinger that reveals the extent of his narcissism and misogyny. I won’t give it away except to say that it is foreshadowed by a mention of his recent magazine story, “The Calculus of Desire,” in which several of the women recognized themselves.

In his 2006 review in The Times, Ben Brantley described the play as having the “formulaic precision of a scientific experiment.” That assessment applies not only to Mr. LaBute’s manipulation of his characters in play after play, but also to his manipulation of the audience by dispensing the dramatic equivalent of tidbits of scurrilous gossip to make you gasp.

Mr. LaBute’s best film is still his first, “In the Company of Men,” in which two male business associates contrive an elaborate and vicious practical joke on a female colleague simply for sport. There are a lot of truthful notes in “Some Girl(s),” but there are also false ones that let you know that you are being played with. You’d best beware.

Some Girl(s)

Opens on Friday nationwide.

Directed by Daisy von Scherler Mayer; written by Neil LaBute, based on his stage play; director of photography, Rachel Morrison; edited by Michael Darrow; music by David Carbonara; production design by Maya Sigel; costumes by Nancea Ceo; produced by Patty West, Chris Schwartz and Andrew Carlberg; released by Leeden Media. In Manhattan at the Cinema Village, 22 East 12th Street, Greenwich Village. Running time: 1 hour 30 minutes. This film is not rated.

WITH: Adam Brody (Man), Kristen Bell (Bobbi), Zoe Kazan (Reggie), Mía Maestro (Tyler), Jennifer Morrison (Sam) and Emily Watson (Lindsay).



-New York times : Some Girl(s)


ht jessica pare mad men2 jp 120326 wblog Mad Men Actress Lip Synced Zou Bisou Bisou

Credit: AMC.

“Zou Bisou Bisou” didn’t happen on a whim. During a conference call with reporters today, “Mad Men” actress Jessica Pare said that for Sunday’s season five premiere, in which Megan serenades Don at his 40th birthday party, she lip-synced along with a track she previously recorded.

“I worked with David Carbonara, who does the music for the show, and I got to go into a real, grown up recording studio,” she said. “We’re hearing what I did in the recording studio.”

Prior to that, Pare said she listened to the French pop song “a whole lot” and Matthew Weiner, “Mad Men’s” executive producer, “gave me some pretty comprehensive notes to go along with it.” She estimated that including dance lessons with a choreographer, “it came to a week and a half of rehearsing. But I was doing it for the entire ‘Mad Men’ cast, I had to know my stuff.”

As for the viral popularity of the performance and the fact that the song is now available for download on iTunes, Pare said she’s “thrilled.”

“I never thought I would make a single,” she said, “let alone an actual, physical record, because there’s a 7-inch vinyl out there too.”

Pare also talked about Megan and Don’s raunchy romp on the carpet — “Is there really any problem that can’t be solved that way?” — and why she thinks Megan and Don may have more longevity than some of his other flings.

“She is his equal,” she said. “Megan is Don’s equal in a lot of ways. One of the ways that she has some kind of power over him is that they are such a great match sexually and physically.”

As for rolling around with Jon Hamm in real life?

“He’s not that bad looking I guess,” she laughed, “and he’s really easy to work with. There is nothing bad about working with him.”



"Mad Men" Actress Jessica Pare Lip-Synced "Zou Bisou Bisou"

-ABC News : Mad Men


HBO Documentary Films
Director: James L. Freedman
Producers: Martin Scorsese, Emma Tillinger Koskoff, Rick Yorn and James L. Freedman

Some Girl(s)

Leeden Media, Pollution Studios
Director: Daisy von Scherler Mayer
Producer: Andrew Carlberg, Patty West, Chris Schwartz, Jennifer Getzinger

Mad Men

Directors: Phil Abraham, Jennifer Getzinger, Andrew Bernstein, Lesli Linka Glatter and Alan Taylor
Producers: Matthew Weiner and Scott Hornbacher